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BETHANY COLLINS
Untitled (The American as a Regenerate Being, 1968) , 2022
charcoal on found paper
10 x 6.625 in.
framed
BETHANY COLLINS
Untitled (Truth and Lies, 1965), 2022
charcoal on found paper
10 x 6.625 inches
framed
BETHANY COLLINS
Untitled (The Necessary and Permanent Revolution, 1965), 2022
charcoal on found paper
10 x 6.625 inches
framed
BETHANY COLLINS
Untitled (Dialogue of Cruelty, 1967), 2022
charcoal on found paper
10 x 6.625 in.
framed
BETHANY COLLINS
Untitled (Silence / So that you'll hear me..., 1968), 2022
charcoal on found paper
10 x 6.625 inches each
framed
BETHANY COLLINS
Untitled (Dawn / A Sense of the Present / The Eclipse, 1965-1966), 2022
charcoal on found paper
10 x 6.625 inches each
framed
ALLISON JANAE HAMILTON
Floridawater I, 2019
archival pigment print
24 x 36 inches
framed
ALLISON JANAE HAMILTON
Floridawater III, 2019
archival pigment print
24 x 36 inches
framed
ALLISON JANAE HAMILTON
Lemon Tree, 2021
Single-channel video (8mm film): total runtime: 6:00 minutes
variable dimensions
edition of 3; 2 AP
Hồng-Ân Trương
Promise Worth Shit, 2022
two-way mirror plexi, wooden stand
8.5 x 7 inches
Hồng-Ân Trương
If Demands Not Met, 2022
two-way mirror plexiglass, wooden stand
9 x 6 inches
Hồng-Ân Trương
Strike Still On, 2022
two-way mirror plexiglass, wooden stand
11 x 8.5 inches
Hồng-Ân Trương
Silence is Betrayal, 2022
two-way mirror plexiglass, wooden stand
11 x 8.5 inches
Hồng-Ân Trương
Truth is Not An Abstraction, 2022
two-way mirror plexi, wooden stand
17 x 11 inches
Hồng-Ân Trương
Reflection: Yuri Kochiyama Cradles Malcolm X, Harlem’s Audubon Ballroom, 1965, 2018
carbon single transfer print on mirror
5.5 x 15 inches
Hồng-Ân Trương
Reflection: Bobby Hutton’s Funeral in Oakland, 1968, 2018
carbon single transfer print on mirror
8.5 x 21 inches